Dive deep into new handpan skills

Course Curriculum
Welcome to the course
Welcome to the course
Introduction
1:41
Introduction
Part I - Getting started
Part I - Getting started
Part I - Introduction
0:36
Part I - Introduction
1. Basic technique
1. Basic technique
1.1 Basic strokes - Index finger
4:41
1.1 Basic strokes - Index finger
1.2 Basic strokes - Thumb
3:57
1.2 Basic strokes - Thumb
1.3 What is hand-to-hand playing?
1:10
1.3 What is hand-to-hand playing?
1.4 Hand-to-hand playing practice
0:58
1.4 Hand-to-hand playing practice
2. David's 1st composition
2. David's 1st composition
2.1 Groove in 6 beats
5:00
2.1 Groove in 6 beats
2.2 Moving the bass around
2:30
2.2 Moving the bass around
2.3 Composition
3:20
2.3 Composition
3. Elements of rhythm
3. Elements of rhythm
Introduction - What is konnakol?
1:53
Introduction - What is konnakol?
3.1 Konnakol and ghost notes
1:39
3.1 Konnakol and ghost notes
3.2 Tak - shoulder tone
2:14
3.2 Tak - shoulder tone
3.3 Sections A and B
2:03
3.3 Sections A and B
3.4 Composition
1:31
3.4 Composition
4. Composition in 6/8
4. Composition in 6/8
Introduction
1:17
Introduction
4.1 Basic konnakol groupings
1:47
4.1 Basic konnakol groupings
4.2 Left hand accents
2:15
4.2 Left hand accents
4.3 Section A - Adding melody notes
2:16
4.3 Section A - Adding melody notes
4.4 Section B - Accents
0:55
4.4 Section B - Accents
4.5 Composition
1:28
4.5 Composition
5. Intervals and chords
5. Intervals and chords
5.1 One-handed intervals
2:05
5.1 One-handed intervals
5.2 Groovy intervals
2:24
5.2 Groovy intervals
5.3 Chords
2:43
5.3 Chords
5.4 More ideas on how to work with chords
2:53
5.4 More ideas on how to work with chords
6. Double strokes
6. Double strokes
Introduction
0:44
Introduction
6.1 Double stroke technique
3:09
6.1 Double stroke technique
6.2 Double strokes in 3-3-2
3:25
6.2 Double strokes in 3-3-2
6.3 Dynamics and emotions
1:11
6.3 Dynamics and emotions
6.4 Double strokes for ghost notes
3:19
6.4 Double strokes for ghost notes
Part II - Sound variations
Part II - Sound variations
Part II - Introduction
0:36
Part II - Introduction
7. Knuckles
7. Knuckles
7.1 Knuckle stroke technique
1:53
7.1 Knuckle stroke technique
7.2 Practice exercise
2:07
7.2 Practice exercise
7.3 A Word of caution
0:44
7.3 A Word of caution
8. Playing above and next to the tongue
8. Playing above and next to the tongue
8.1 Above the tongue stroke
2:31
8.1 Above the tongue stroke
8.2 Side of the tongue stroke
4:12
8.2 Side of the tongue stroke
8.3 Side of the tongue stroke - more examples
4:14
8.3 Side of the tongue stroke - more examples
9. Fingertips and fingernails
9. Fingertips and fingernails
9.1 Fingertip stroke
1:35
9.1 Fingertip stroke
9.2 Fingertip stroke exercise
2:59
9.2 Fingertip stroke exercise
9.3 Fingernail stroke
1:31
9.3 Fingernail stroke
9.4 Fingernail stroke practice
0:58
9.4 Fingernail stroke practice
10. Muting
10. Muting
Introduction
1:16
Introduction
10.1 The purpose of muting
1:01
10.1 The purpose of muting
10.2 Muting practice
2:21
10.2 Muting practice
10.3 Same sequence, different notes
3:27
10.3 Same sequence, different notes
11. The Slap
11. The Slap
11.1 Slap that RAV
1:28
11.1 Slap that RAV
12. Maqsoum
12. Maqsoum
Introduction
0:51
Introduction
12.1 Basic pattern
1:49
12.1 Basic pattern
12.2 Let's add harmony
2:45
12.2 Let's add harmony
12.3 Sections A and B
1:51
12.3 Sections A and B
12.4 Composition
2:45
12.4 Composition
13. David's 2nd composition
13. David's 2nd composition
13.1 A universal groove
3:50
13.1 A universal groove
13.2 Adding melodies
2:08
13.2 Adding melodies
13.3 Sections A and B
3:56
13.3 Sections A and B
13.4 Bridge
2:36
13.4 Bridge
13.5 Composition
3:50
13.5 Composition
Part III - Going further
Part III - Going further
Part III - Introduction
1:33
Part III - Introduction
14. Harmonics
14. Harmonics
14.1 Two-handed harmonic isolation
2:32
14.1 Two-handed harmonic isolation
15. Another way to mute
15. Another way to mute
15.1 Delayed muting
2:24
15.1 Delayed muting
15.2 Exercise in 2-3-3
2:29
15.2 Exercise in 2-3-3
16. Double strokes
16. Double strokes
16.1 Basic double stroke technique
3:11
16.1 Basic double stroke technique
16.2 Double stroke practice in 7/8
2:14
16.2 Double stroke practice in 7/8
16.3 Fast doubles
0:49
16.3 Fast doubles
16.4 Triplets and roll
2:15
16.4 Triplets and roll
16.5 Another example of how to use the roll
0:49
16.5 Another example of how to use the roll
17. Fist kick
17. Fist kick
Introduction
0:57
Introduction
17.1 Fist kick technique
1:32
17.1 Fist kick technique
17.2 Fist kick tune
1:25
17.2 Fist kick tune
18. Palm heel stroke and muted slap
18. Palm heel stroke and muted slap
18.1 Technique
3:05
18.1 Technique
18.2 Musical example
2:04
18.2 Musical example
19. Bending - tabla technique
19. Bending - tabla technique
Introduction
0:47
Introduction
19.1 Tone bending - North Indian approach
3:28
19.1 Tone bending - North Indian approach
19.2 Different options to produce sound
1:29
19.2 Different options to produce sound
19.3 Practice exercise
2:38
19.3 Practice exercise
20. Double harmonic isolation
20. Double harmonic isolation
20.1 Section A - Technique and practice
4:10
20.1 Section A - Technique and practice
20.2 Section B - B for bending
0:50
20.2 Section B - B for bending
20.3 Composition
1:37
20.3 Composition
Welcome to the course
Welcome to the course
Introduction
1:41
Introduction
Part I - Getting started
Part I - Getting started
Part I - Introduction
0:36
Part I - Introduction
1. Basic technique
1. Basic technique
1.1 Basic strokes - Index finger
4:41
1.1 Basic strokes - Index finger
1.2 Basic strokes - Thumb
3:57
1.2 Basic strokes - Thumb
1.3 What is hand-to-hand playing?
1:10
1.3 What is hand-to-hand playing?
1.4 Hand-to-hand playing practice
0:58
1.4 Hand-to-hand playing practice
2. David's 1st composition
2. David's 1st composition
2.1 Groove in 6 beats
5:00
2.1 Groove in 6 beats
2.2 Moving the bass around
2:30
2.2 Moving the bass around
2.3 Composition
3:20
2.3 Composition
3. Elements of rhythm
3. Elements of rhythm
Introduction - What is konnakol?
1:53
Introduction - What is konnakol?
3.1 Konnakol and ghost notes
1:39
3.1 Konnakol and ghost notes
3.2 Tak - shoulder tone
2:14
3.2 Tak - shoulder tone
3.3 Sections A and B
2:03
3.3 Sections A and B
3.4 Composition
1:31
3.4 Composition
4. Composition in 6/8
4. Composition in 6/8
Introduction
1:17
Introduction
4.1 Basic konnakol groupings
1:47
4.1 Basic konnakol groupings
4.2 Left hand accents
2:15
4.2 Left hand accents
4.3 Section A - Adding melody notes
2:16
4.3 Section A - Adding melody notes
4.4 Section B - Accents
0:55
4.4 Section B - Accents
4.5 Composition
1:28
4.5 Composition
5. Intervals and chords
5. Intervals and chords
5.1 One-handed intervals
2:05
5.1 One-handed intervals
5.2 Groovy intervals
2:24
5.2 Groovy intervals
5.3 Chords
2:43
5.3 Chords
5.4 More ideas on how to work with chords
2:53
5.4 More ideas on how to work with chords
6. Double strokes
6. Double strokes
Introduction
0:44
Introduction
6.1 Double stroke technique
3:09
6.1 Double stroke technique
6.2 Double strokes in 3-3-2
3:25
6.2 Double strokes in 3-3-2
6.3 Dynamics and emotions
1:11
6.3 Dynamics and emotions
6.4 Double strokes for ghost notes
3:19
6.4 Double strokes for ghost notes
Part II - Sound variations
Part II - Sound variations
Part II - Introduction
0:36
Part II - Introduction
7. Knuckles
7. Knuckles
7.1 Knuckle stroke technique
1:53
7.1 Knuckle stroke technique
7.2 Practice exercise
2:07
7.2 Practice exercise
7.3 A Word of caution
0:44
7.3 A Word of caution
8. Playing above and next to the tongue
8. Playing above and next to the tongue
8.1 Above the tongue stroke
2:31
8.1 Above the tongue stroke
8.2 Side of the tongue stroke
4:12
8.2 Side of the tongue stroke
8.3 Side of the tongue stroke - more examples
4:14
8.3 Side of the tongue stroke - more examples
9. Fingertips and fingernails
9. Fingertips and fingernails
9.1 Fingertip stroke
1:35
9.1 Fingertip stroke
9.2 Fingertip stroke exercise
2:59
9.2 Fingertip stroke exercise
9.3 Fingernail stroke
1:31
9.3 Fingernail stroke
9.4 Fingernail stroke practice
0:58
9.4 Fingernail stroke practice
10. Muting
10. Muting
Introduction
1:16
Introduction
10.1 The purpose of muting
1:01
10.1 The purpose of muting
10.2 Muting practice
2:21
10.2 Muting practice
10.3 Same sequence, different notes
3:27
10.3 Same sequence, different notes
11. The Slap
11. The Slap
11.1 Slap that RAV
1:28
11.1 Slap that RAV
12. Maqsoum
12. Maqsoum
Introduction
0:51
Introduction
12.1 Basic pattern
1:49
12.1 Basic pattern
12.2 Let's add harmony
2:45
12.2 Let's add harmony
12.3 Sections A and B
1:51
12.3 Sections A and B
12.4 Composition
2:45
12.4 Composition
13. David's 2nd composition
13. David's 2nd composition
13.1 A universal groove
3:50
13.1 A universal groove
13.2 Adding melodies
2:08
13.2 Adding melodies
13.3 Sections A and B
3:56
13.3 Sections A and B
13.4 Bridge
2:36
13.4 Bridge
13.5 Composition
3:50
13.5 Composition
Part III - Going further
Part III - Going further
Part III - Introduction
1:33
Part III - Introduction
14. Harmonics
14. Harmonics
14.1 Two-handed harmonic isolation
2:32
14.1 Two-handed harmonic isolation
15. Another way to mute
15. Another way to mute
15.1 Delayed muting
2:24
15.1 Delayed muting
15.2 Exercise in 2-3-3
2:29
15.2 Exercise in 2-3-3
16. Double strokes
16. Double strokes
16.1 Basic double stroke technique
3:11
16.1 Basic double stroke technique
16.2 Double stroke practice in 7/8
2:14
16.2 Double stroke practice in 7/8
16.3 Fast doubles
0:49
16.3 Fast doubles
16.4 Triplets and roll
2:15
16.4 Triplets and roll
16.5 Another example of how to use the roll
0:49
16.5 Another example of how to use the roll
17. Fist kick
17. Fist kick
Introduction
0:57
Introduction
17.1 Fist kick technique
1:32
17.1 Fist kick technique
17.2 Fist kick tune
1:25
17.2 Fist kick tune
18. Palm heel stroke and muted slap
18. Palm heel stroke and muted slap
18.1 Technique
3:05
18.1 Technique
18.2 Musical example
2:04
18.2 Musical example
19. Bending - tabla technique
19. Bending - tabla technique
Introduction
0:47
Introduction
19.1 Tone bending - North Indian approach
3:28
19.1 Tone bending - North Indian approach
19.2 Different options to produce sound
1:29
19.2 Different options to produce sound
19.3 Practice exercise
2:38
19.3 Practice exercise
20. Double harmonic isolation
20. Double harmonic isolation
20.1 Section A - Technique and practice
4:10
20.1 Section A - Technique and practice
20.2 Section B - B for bending
0:50
20.2 Section B - B for bending
20.3 Composition
1:37
20.3 Composition

Nadishana and David K are veterans in the fields of percussion and handpan, with a rich history of expertise and innovation. Their connection with the RAV drums began when they were gifted some of the earliest models during a concert tour. Nadishana, in particular, played a crucial role in popularizing this unique instrument.

Their deep understanding and passion for these instruments will guide you in mastering their unique qualities.

Whether you're new to the RAV drum or looking to deepen your skills, this course offers valuable insights from two of the leading figures in the world of percussion.

Learning simplified, fun amplified

See every move

Immersive videos with clear views

All our lessons are shot from above. This means when the instructor uses their left hand, it aligns with your left, and the same for the right. Say goodbye to the brain-bending task of reverse thinking.

We break down every pattern gradually, allowing you to mirror your teacher's hand movements on the handpan with ease.

Compatible with your instrument

Got a central note on top and notes around it? Perfect! All our courses are 100% compatible with your instrument. Handpan, tongue drum, any scale or note count – you name it, it works.

Watch your progress unfold

Maintain that motivation with a clear view of your handpan journey and your course progress. No matter where you pause, it's a breeze to pick up right where you left off.

Progress at your pace

Dive into lessons anytime and rewatch as often as you like to fit your schedule and lifestyle.

Learn anywhere

Access courses on any device: computer, tablet, smartphone, or smart TV.

A downloadable e-book (PDF) of the course's training sheets
Practice unplugged

E-book: your offline handpan guide

This masterclass offers a notation booklet packed with exercises. Print it out, take it to your favorite spot, and enjoy the freedom to practice offline.

Smile while you learn

A notation system that's fun & innovative

Dive into a world of symbols, colors, numbers, and friendly ghosts (booooo). Designed to help you get the most out of the tutorials, our intuitive hand notation system simplifies things. Any pattern becomes second nature. Simply follow along & let those grooves flow.

See every move

Immersive videos with clear views

All our lessons are shot from above. This means when the instructor uses their left hand, it aligns with your left, and the same for the right. Say goodbye to the brain-bending task of reverse thinking.

We break down every pattern gradually, allowing you to mirror your teacher's hand movements on the handpan with ease.

Compatible with your instrument

Got a central note on top and notes around it? Perfect! All our courses are 100% compatible with your instrument. Handpan, tongue drum, any scale or note count – you name it, it works.

Watch your progress unfold

Maintain that motivation with a clear view of your handpan journey and your course progress. No matter where you pause, it's a breeze to pick up right where you left off.

Progress at your pace

Dive into lessons anytime and rewatch as often as you like to fit your schedule and lifestyle.

Learn anywhere

Access courses on any device: computer, tablet, smartphone, or smart TV.

A downloadable e-book (PDF) of the course's training sheets
Practice unplugged

E-book: your offline handpan guide

This masterclass offers a notation booklet packed with exercises. Print it out, take it to your favorite spot, and enjoy the freedom to practice offline.

Smile while you learn

A notation system that's fun & innovative

Dive into a world of symbols, colors and numbers. Designed to help you get the most out of the tutorials, our intuitive hand notation system simplifies things. Any pattern becomes second nature. Simply follow along & let those grooves flow.

See every move

Immersive videos with clear views

All our lessons are shot from above. This means when the instructor uses their left hand, it aligns with your left, and the same for the right. Say goodbye to the brain-bending task of reverse thinking.

We break down every pattern gradually, allowing you to mirror your teacher's hand movements on the handpan with ease.

Compatible with your instrument

Got a central note on top and notes around it? Perfect! All our courses are 100% compatible with your instrument. Handpan, tongue drum, any scale or note count – you name it, it works.

Watch your progress unfold

Maintain that motivation with a clear view of your handpan journey and your course progress. No matter where you pause, it's a breeze to pick up right where you left off.

Progress at your pace

Dive into lessons anytime and rewatch as often as you like to fit your schedule and lifestyle.

Learn anywhere

Access courses on any device: computer, tablet, smartphone, or smart TV.

Practice unplugged

E-book: your offline handpan guide

This masterclass offers a notation booklet packed with exercises. Print it out, take it to your favorite spot, and enjoy the freedom to practice offline.

A downloadable e-book (PDF) of the course's training sheets
See every move

Immersive videos with clear views

All our lessons are shot from above. This means when the instructor uses their left hand, it aligns with your left, and the same for the right. Say goodbye to the brain-bending task of reverse thinking.

We break down every pattern gradually, allowing you to mirror your teacher's hand movements on the handpan with ease.

Watch your progress unfold

Maintain that motivation with a clear view of your handpan journey and your course progress. No matter where you pause, it's a breeze to pick up right where you left off.

Compatible with your instrument

Got a central note on top and notes around it? Perfect! All our courses are 100% compatible with your instrument. Handpan, tongue drum, any scale or note count – you name it, it works.

Progress at your pace

Dive into lessons anytime and rewatch as often as you like to fit your schedule and lifestyle.

Learn anywhere

Access courses on any device: computer, tablet, smartphone, or smart TV.

Top 3 reasons why you'll love this masterclass

Explore the unique world of RAV and tongue drums
Learn straight from Nadishana, who popularised the RAV drum in the handpan world
Expand your musical expression tools
Get started now!

Explore the unique language of Rav and tongue drums

Individual Masterclass
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Individual Masterclass
Was
149€
119€
149€
Pay once for lifetime course access
All-Access Membership
29€
/month
Unlimited courses & community access
All-Access Membership
29€/mo
22.5€
/month
Unlimited courses & community access
Best value
This masterclass includes
Immediate access to all 97 exclusive lessons
Course in Portuguese
Subtitled in English
Cours en anglais
Sous-titré en Français
Cours en anglais
A downloadable e-book (PDF) of the course's training sheets
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Already trusted by 38,000 players

Check out these real, verified testimonials. Read more

This site has lots of great handpan tutorials and beautiful music. It is super easy to navigate, and a foolproof way to learn the handpan, no matter what level player you are.
Diane Cashwell Petteway

Diane Cashwell Petteway

I simply can't imagine NOT having this online course available! So thankful for it. We all know that local lessons are in short supply or non-existent. And honestly, this is better!
Wyler Hecht

Wyler Hecht

Super fun course, even if your English is not very good, you can follow it very well!
Daniëlla Cristantielli

Daniëlla Cristantielli

Clear and fun lessons, straight to the point and clearly designed for quick progress built on solid foundations.
Rachel Bibby

Rachel Bibby

Awesome & highly recommended Handpan course with great teachers and very good learning structure for all levels.
Andreas Martin

Andreas Martin

Great teachers. Great platform. Love it 😊
Fabian Lica

Fabian Lica

My playing was super linear and I ended up playing the same groove over and over. Master the Handpan has shown me numerous ways of playing and has now become part of my every day practice routine.
Nate Malinowski

Nate Malinowski

Extremely effective learning course. Structured, easy to follow, inspiring. After finalizing it I have the basics to create my own stuff.
Wojciech Jary

Wojciech Jary

Yes super group & instruction
Laurent Muratet

Laurent Muratet

Having these teachings with visuals, explanations, printouts, etc. is like the pot of gold at the end of the rainbow. How grateful I am that you've created this learning tool!
Jody McQueen

Jody McQueen

Frequently Asked Questions

What type of loop station will Jeremy be demonstrating and performing with?

In this masterclass, Jeremy will exclusively be using BOSS loop stations, namely the RC-30, the RC-50 (now replaced by the RC-300) and the RC-505.

He considers these to be the most ergonomic plug’n’play units for percussionists. For instance, they have a microphone input with phantom power, which is not the case for many loop stations.

Also, Boss loop stations are used around the world, allowing people everywhere to share advice and experience.

I don’t have the same loop station as Jeremy. Is this course still for me?

Though a few buttons and features may be different on your loop station, almost all loop stations have similar characteristics and workflow, and you should be able to follow the entire course.

As most of the operations demonstrated and described are the same on all loopers, Jeremy’s masterclass will give you a deeper understanding of how to refine your sound and build beautiful tracks.

What gear is required to follow this masterclass?

To follow this course you will need the following equipment:


Essential:
  • A loop station with an XLR (microphone) input.
  • A decent quality microphone of any brand, with a stand.
  • An XLR (microphone) cable.
  • A pair of headphones or an amplifier to connect to your loop station’s output.
Recommended:
  • Because there is a section on sculpting your instruments with EQ (equalization), a mixer desk with EQs on each channel is desirable.
  • Because there is a section about FX (effects), owning pedals (octaver, delay, reverb, etc.) is also desirable, especially if they are similar to Jeremy’s. (Note that you will receive a full list of Jeremy’s gear as part of the course.)
Optional:
  • Additional instruments other than your handpan (e.g. cajon, keyboard, jaw harp, or any other instrument).

Reading this article will help you choose equipment according to your budget.

What if I’m missing some of the gear listed above?
Are you missing essential gear?

This course will inspire and guide you in the purchase of your first looping equipment.

  • Reading this article will help you choose equipment according to your budget.
  • When you enroll in the course, you will access the full list of equipment used in the masterclass. Why not treat yourself to some new gear in the near future and come back afterwards to enjoy the course in its fullest?
Are you missing recommended or optional gear?
  • Remember that this is a broad and insightful sound/effects/looping course with lots for any musician to take away, whether you have a basic or advanced setup. It was designed with the knowledge that many of the participants will not own the same equipment as Jeremy.
  • Because when you enroll in the course you get lifelong access to Jeremy’s Masterclass, you can start by learning from his experience and gaining inspiration. Later on, when you are able to purchase new gear, you will be able to come back to specific sections and put them into practice. To help you with this, you will receive a full list of Jeremy’s gear as part of the course.
What type of loop station will Jeremy be demonstrating and performing with?

In this masterclass, Jeremy will exclusively be using BOSS loop stations, namely the RC-30, the RC-50 (now replaced by the RC-300) and the RC-505.

He considers these to be the most ergonomic plug’n’play units for percussionists. For instance, they have a microphone input with phantom power, which is not the case for many loop stations.

Also, Boss loop stations are used around the world, allowing people everywhere to share advice and experience.

I don’t have the same loop station as Jeremy. Is this course still for me?

Though a few buttons and features may be different on your loop station, almost all loop stations have similar characteristics and workflow, and you should be able to follow the entire course.

As most of the operations demonstrated and described are the same on all loopers, Jeremy’s masterclass will give you a deeper understanding of how to refine your sound and build beautiful tracks.

What gear is required to follow this masterclass?

To follow this course you will need the following equipment:


Essential:
  • A loop station with an XLR (microphone) input.
  • A decent quality microphone of any brand, with a stand.
  • An XLR (microphone) cable.
  • A pair of headphones or an amplifier to connect to your loop station’s output.
Recommended:
  • Because there is a section on sculpting your instruments with EQ (equalization), a mixer desk with EQs on each channel is desirable.
  • Because there is a section about FX (effects), owning pedals (octaver, delay, reverb, etc.) is also desirable, especially if they are similar to Jeremy’s. (Note that you will receive a full list of Jeremy’s gear as part of the course.)
Optional:
  • Additional instruments other than your handpan (e.g. cajon, keyboard, jaw harp, or any other instrument).

Reading this article will help you choose equipment according to your budget.

What if I’m missing some of the gear listed above?
Are you missing essential gear?

This course will inspire and guide you in the purchase of your first looping equipment.

  • Reading this article will help you choose equipment according to your budget.
  • When you enroll in the course, you will access the full list of equipment used in the masterclass. Why not treat yourself to some new gear in the near future and come back afterwards to enjoy the course in its fullest?
Are you missing recommended or optional gear?
  • Remember that this is a broad and insightful sound/effects/looping course with lots for any musician to take away, whether you have a basic or advanced setup. It was designed with the knowledge that many of the participants will not own the same equipment as Jeremy.
  • Because when you enroll in the course you get lifelong access to Jeremy’s Masterclass, you can start by learning from his experience and gaining inspiration. Later on, when you are able to purchase new gear, you will be able to come back to specific sections and put them into practice. To help you with this, you will receive a full list of Jeremy’s gear as part of the course.
What gear will Tom be using?

Tom will be using a standard computer, an entry-level microphone (Rode NT1A) and audio interface (Focusrite Scarlett 2i2), and of course his ears and creativity.

In some optional lessons, he will be using entry-level midi controllers (Novation Launch Control & Novation Launchpad S).

As we’ve said before, there is nothing fancy here, and any similar gear you own will do perfectly.

What gear is required to follow the lessons?

This course is made for you to be able to follow even if you have very limited equipment.

You only need the following:

Essential:
  • A computer (even a low-performance one is fine).
  • A microphone + audio interface: absolutely any will do, but Tom will advise you in the first few lessons to help you choose if you haven’t already got one. If your microphone can be connected straight into your computer, an audio interface won’t be needed.
  • Some music production software: Tom uses Ableton Live, but you can totally use different software. He explains in one of the first lessons how to get Ableton Live for free or affordably, and what other software you can use – there are many free options!

That’s it, you’re good to go! However, if you have or want to use more equipment, Tom will also take you through optional gear that may be of interest to you in a few of the lessons.

Optional:
  • ClipLaunch midi controller (e.g. Novation’s launchpad) for live performances
  • Mixing midi controller (e.g. Novation’s launch control) for a quicker workflow

These controllers will mainly speed up your workflow and make the process more comfortable and fun. However, you can do absolutely everything without them.

I don’t have Ableton Live or want to use other software.

Tom uses Ableton Live software, but you can totally use different software. He explains in one of the first lessons how to get Ableton Live for free or affordably, and goes through other software options you can choose from.

All music production software is pretty similar so it shouldn’t be difficult for you to follow the course if you are already using another one and want to keep going with it.If you have never used any music production software before and you’re a total beginner, our advice would be to get the trial or the Lite version of Ableton Live to follow the course. (You probably already have the lite version, since it comes free with most audio gear these days!)

You’ll then have the knowledge you need to either switch to another software, or stick with Ableton Live.

Once again, there’s a good chance you can get the Lite version for free, and Tom will explain how. 😉

What if I’m missing some of the gear listed above?
Are you missing essential gear (such as a microphone or interface)?


This course will inspire and guide you to purchase your first set of equipment. If you do not have some of the required gear, great ! You’ll then get some good advice to help you choose. 😉

Are you missing optional gear ?
  • Remember that this is a broad and insightful course with lots for any musician to take away, whether you have a basic or advanced setup. It was designed with the knowledge that many of the participants would not own the same equipment as Tom. Tom will help you understand the concepts rather than focus on the gear itself. That way, you can easily adapt it to any other similar setup.
  • Because you get lifelong access to Tom’s Masterclass when you enroll in the course, you can start by learning from his experience and gaining inspiration. Later on, when you are able to purchase new gear, you can come back to specific sections to get advice, choose the perfect gear for you and put what you’ve learned into practice.
What is included with this masterclass?

When you enroll in this masterclass, we've got everything ready for you to access:

Immediate access to all 97 exclusive lessons
A downloadable e-book (PDF) of the course's training sheets

If you choose our MasterTheHandpan Academy membership (undoubtedly the best value), you'll get everything from the course, plus so much more :
- Unlimited access to all our courses —including the new ones we introduce (3-4 each year)
- Exclusive entry into our vibrant private community

Review the detailed offerings at the bottom of this page

What's the difference between the single course and the all-access pass?

Let's clear this up so you know exactly what you're getting into:

  • Single course: It's a one-time purchase. Buy the course once, and it's yours with lifetime access.
  • All-access pass: MasterTheHandpan Academy offers a membership with unlimited access to all our courses, including 3-4 new ones introduced each year. Your access continues uninterrupted as long as you maintain your membership. Plus, you'll join our private community, where you can participate in Q&A live sessions, workshops, challenges and much more.

For the most comprehensive experience, MasterTheHandpan Academy offers superior value.

How much does the course cost?

- The single masterclass is priced at 

$149

149€

.

It's a one-time purchase. Buy the course once, and it's yours with lifetime access.

- The MasterTheHandpan Academy membership at $29 per month.

This membership not only includes this course but also gives you access to all our other courses, any new courses we add, plus entry into our vibrant community.

Do I need to be tech-savvy to learn through your platform?

Not at all! MasterTheHandpan is designed to be user-friendly. You can easily navigate through the platform, and if you ever encounter any issues, our support team is here to help.

Is my instrument compatible with this course?

Have a central note with surrounding notes? Perfect! Every single one of our courses is designed to be 100% compatible with instruments like the Handpan and the tongue drum. Different scales, note counts, colors? We've got you covered. Here is a 3-video series to clear everything up.

What forms of payment do you accept?

We've got you covered for most payment methods! You can use all the major credit cards like Visa and MasterCard, and for quick checkouts, Google Pay and Apple Pay are ready to go.

If you're paying in euros, you're in luck — we also accept Giropay, iDEAL, and SEPA transfers for your convenience.

Prefer PayPal?
We can make that happen too! Simply contact us, and we'll take care of the details for you.

Can I access the courses on multiple devices?

Yes, you can access our courses on multiple devices. Whether you prefer to learn on your computer, tablet, or smartphone, you'll have full access to all course materials.

Need More Help?

If you still have questions, don't hesitate to reach out. Our friendly customer care team is here to help and would be thrilled to have a chat with you.

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After 10 years of performing and writing music together, we felt it's time to share the secrets and wonders of what makes Hang Massive and why our shows draw people from all over the world.
The course will include learning to play some of our most well-known songs, expressing oneself from a meditative and relaxed space, and revealing some of the secrets behind our music creation.
We're excited to start filming in August in beautiful France and can't wait to have you involved. Much love, and see you soon!

Danny Cudd and Markus Offbeat

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